“Contact High” by Only Bricks is one of those decadent, ethereal pop songs with a melody so memorable you’ll be humming it for weeks. Musically,

“GHOST ME” by MOVE LIKE CREATURES is a catchy, powerfully-performed alternative rock masterpiece. With an infectious, climactic chorus and a perfectly arranged mix of instrumentation,

“Cherry On Top” by Ainsley Costello is a cheeky, clever, irreverent pop-punk track filled to the brim with charm. With its classically catchy chord progressions,

“Players” by Coi Leray breathes new life into a classic Grandmaster Flash sample, incorporating elements of several eras of Hip-Hop with a delectably modern twist.

“P.O.S.” by Sky Katz is a song brimming with cathartic irreverence. Delivered with this conversational, flippant tone, the message is summed up with a glib,

“Bloodline” by Emeryld puts a classic chord progression to work. Every time someone reworks this iconic sound, it’s a benefaction to popular music as a

You’d be remiss to say you’ve heard a song more anthemic than “Rose Colored Glasses” by The Collection. Brimming with electric energy, this track checks

“The Meadows” by Sam Hague is like a fresh, frenetic take on a Bastille song. Peppered with an equal helping of live and electronic instruments,

“Sick Kisses” by Liam Barrack has one of the most animated, beautiful guitar riffs you’ll ever hear. As an undercurrent to an already brilliant song,

“After Hours” by Amilia Riviglia is a vivacious display of vocal prowess, songwriting, and groove. It’s catchy. It’s funky. It’s likely to be stuck in