
“Leftovers” by Cheyenne Benton
Cheyenne Benton’s “Leftovers” is a striking sonic experiment that defies categorization. The track seamlessly blends delicate, ethereal vocals with a driving, rock-inspired instrumental backdrop. Benton’s

Cheyenne Benton’s “Leftovers” is a striking sonic experiment that defies categorization. The track seamlessly blends delicate, ethereal vocals with a driving, rock-inspired instrumental backdrop. Benton’s

Sarah Jowers’ “Please Don’t Leave Me Here” is a chilling ballad that lingers in the mind long after the final note. The song’s haunting melody,

Martin Luke Brown’s “Animal” is a captivating blend of electronica and pop that evokes the spirit of early Miike Snow. The track’s driving beat and

Ellisa Sun’s “Talk to Ya” is a nostalgic throwback to the early days of synth-pop, reminiscent of the iconic duo Eurythmics. The song’s infectious groove

Damien McFly’s “I’m Getting Older” is a poignant exploration of love, gratitude, and the passage of time. McFly’s soft, emotive vocals, paired with the harmonious

Yahtzee Brown’s “Take It Back” is a captivating exploration of the universal theme of regret and the longing to undo past mistakes. The song’s infectious

Bella Jailene’s “Naive” is a refreshing blend of punk rock and pop, reminiscent of early Bjork’s experimental sound. The song’s energetic guitar riffs and catchy

Nick County’s “Welcome to Where U Been” is a captivating blend of folk and Americana, reminiscent of Bob Dylan’s classic work. The song’s soft, folksy

HOWRU’s latest single, “HELLO/GOODBYE,” is a nostalgic trip back to the early 2000s pop-punk scene with a modern twist. The band masterfully blends old-school punk

Nanuk’s “Buttercup” is a gentle love ballad that weaves a tale of simple yet profound affection. The song’s acoustic guitar melody creates a warm and
TOP BANNER FEATURED ARTIST CREDIT
Left: Michelle Ray – Right: Day Lee
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